random notes on Merriweather Post Pavilion
Real Leaf House.
As the internet has revealed, I had the honor and distinct privilege to hear the latest Animal Collective album, Merriweather Post Pavilion.
You annoy-nymous posters out there will perhaps notice that I didn't say I had the album, only that I heard to it, right? Even if I did have it, the only way I have attained such a privilege is by not pretending it's my intellectual property to give away to strangers. So please stop asking.
But here's what I scratched out on that initial listen:
* a text message sent to my friend during the opening moments: "Boomy, shimmering, trippy."
* the dynamic frequencies heard to jarring and enervating effect on Strawberry Jam are now warm and immersive
*MPP is in the direction hinted at by the Pantha du Prince remix of "Peacebone," Water Curses's "Street Flash," Person Pitch, but come to fruition.
*Whereas PP had a homemade, lo-fi 4-track feel, this is given the proper full-range boom-tick
*it's going to sound sick booming out of a jeep
*flowing, ever-changing, there's a liquidity to the entire album, lots of water samples (no wonder it's being debuted at "The River Room")
*if I didn't know better, I would think the band just discovered Ecstasy, there's that telltale 'flash' to it
*have they been hanging out in Berlin techno clubs on tour?
*"Am I really all the things that are outside of me?"
* it's a continuum of the band's previous obsessions: Beach Boys, Terry Riley, Missa Luba, Kaito, Sagittarius, GAS, but in its most resplendent and assured manifestation to date
*to be filed alongside Screamadelica, Loveless
Labels: merriweather post pavilion

3 Comments:
Immense.
"have they been hanging out in Berlin techno clubs on tour?"
One of their dates *is* at Berghain, Berlin's premiere techno club. But you probably already knew that.
I've been leaving the boots alone for the past month (well, as much as I can) and going back to 'Strawberry Jam' after a cleansing binge on 'STG,STV'. It sounds like the new album will be closest in tone to '#1', not just because of the electronic arpeggios but also the ecstatic vibe I always got from that song. It's got that 'drift', you know?
Another thing that's exciting me is that AC live renditions tend to be more stripped-down than their studio work. I can't wait to see how they finally present this amazing collection of songs. I haven't felt this excited about a record (or a band) since I was 17, picking up Thomas Bangalter's new Roule releases.
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