The Dub Club

"Reggae is the original remix culture: hip-hop has direct roots in reggae and Skrillex and dubstep come straight from Jamaican bass culture." Rolling Stone

Brooklyn Gets Serious About Comedy

"Comedians are like cockroaches," he said, "they'll just sneak in and set up a show where ever there's some light and a sound system." Wall St. Journal

The Story Collider

"When we talk about science, we think of it as this thing that mysterious people who are nothing like us do in white lab coats," said Mr. Lillie. "I've been looking for ways to convey the idea that it's something everyone of us experiences." Wall St. Journal

"It bursts like applause at the end of a Fellini film or a live album, celebrating the artifice of performance, the drama of a farewell. " Pitchfork Media

"Get Lucky"

"Get Lucky"'s real elegance lies in the hands of Nile Rodgers, which is no doubt the Robots’ intent. Pitchfork Media

The Wedding Singer

Souleyman's voice is gruff and coarse, exuding a stoic strength. Yet for those who understand Arabic, his songs are plaintive, dealing mostly with love and its loss. Coming from Syria, a land where deep sectarian conflict will resonate for generations, if not centuries, Souleyman sounds at once like the most self-possessed and most heartbroken man in the world. SPIN

Masters of Puppets

Propelled by pneumatic valves and nascent robotic technology, and programmed by early Apple computers, the band -- bassist Billy Bob Brockali, singers Looney Bird and Mitzi Mozzarella, keyboardist Fatz Geronimo, guitarist Beach Bear, and drummer Dook LaRue, as well as Rolfe deWolfe and Earl Schmerle -- entranced, and even scared, kids. SPIN